The International Alliance of Theatrical Stage Employees, or IATSE is a labor union . Each local functions autonomously, maintaining their own Constitution and By-Laws, elections, dues structure, membership meetings, and more. Locals . more fully defined in Article XVIII, Sections 9 and 10 of the International Constitution. ARTICLEII OBJECTS. SECTION 1. This Local is dedicated to the principals. IATSE is composed of local International Alliance of Theatrical Stage unions and members are enumerated in the International Constitution and By- Laws.

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The local union structure, backed up by the International, enables members to have a direct voice in their working lives.

The quadrennial convention of the International is immediately preceded by conventions of the Districts.

The other two opponents in the running suddenly dropped from the race after death threats were received. Phone Cinstitution admin iatse In recent years, the I. The laws of the I. This document governs the operation of the International Union and its relationship to the individual local unions and members. Wood General Secretary, Treasurer. In the Canadian Picture Pioneers organization was formed, “dedicated to the support and well-being of all members of the motion picture industry in Canada.

The Constitution Committee, which reviews proposed amendments to inhernational Constitution and Bylaws submitted by resolution, and makes recommendations to the assembled delegates. Local Unions Within the U.

Over the years, our ability to adjust to technological change has become one of our greatest strengths. The Los Angeles Theatrical workers union which had independently formed in joined the International Alliance of Theatrical Stage Employees union in Our members are among the intternational compensated union members in North America.

On both the International and local levels of our organization, we have reaffirmed our commitment to represent every worker employed in our crafts.

International Alliance of Theatrical Stage Employees

Can you gain their trust? During the early 20th century, organized crime gained influence over parts of IATSE in collusion with employers.


Monday, May 20, – Locals negotiate labor contracts regarding wages, work rules, and grievance procedures. However, The International Alliance of Theatrical Stage Employees remained corrupt and reverted to fraudulent negotiating practices.

Structure of the IATSE

Throughout our history, we have shown a willingness to modify our structure to protect our traditional jurisdiction and accommodate new crafts, but that alone is not sufficient. Our local unions are autonomous organizations. These principles are advanced by our local union structure. From Wikipedia, the free encyclopedia. InBioff and other mobsters were charged with corruption leading to union members attempting to remove them from power in IATSE.

District Conventions are required to be held at least once every two years. Today, IATSE members work in all forms of live theatermotion picture and television productiontrade shows and exhibitionstelevision broadcastingand concerts as well as the equipment and construction shops that support all these areas of the entertainment industry.

Eventually, four different codes were established: The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada was founded in when representatives of stagehands working in eleven cities met in New York and pledged internatlonal support each other’s efforts to establish fair wages and working conditions for their members.

This page was last edited on 11 Decemberat The Finance Committee makes recommendations relating to financial matters, internatinal as dues for the next four years, the allocation of dues among the various International Funds and officer salaries.

While most contracts are negotiated locally or by region, constifution General Office signs nationwide agreements in cases where they are warranted by the nature of the work involved. Equally dedicated to leadership skills for union officers and craft skills and safety training for workers, the department sponsors and promotes union skills courses and workshops.

During a period when private sector union membership has been in sharp decline, the IATSE has continued to grow. Our members are involved in all phases of a production, from its conception through every aspect of its execution.


Additionally, the front-of house workers who seat the patrons, work in the box office, scan the tickets and look after the audiences in dozens of ways are also represented by the IATSE, as are the press agents, house and company managers in legitimate theater. They are free to pursue independent agendas based upon their membership’s concerns. Since the IA’s membership has increased from 74, towhich it attributes to its willingness to adapt its structure to protect traditional jurisdiction and accommodate new crafts.

Held every four years, the Convention is attended by delegates elected by the local unions to represent their membership.

IATSE International – IATSE Local

In addition, each Quadrennial Convention of the International is immediately preceded by conventions of the Districts. The IATSE has evolved since then to embrace the development of new entertainment mediums, craft expansion, technological innovation and geographic growth.

Of the Vice Presidents, two are designated to come from Canadian locals; one is designated to come from the West Coast Studio production locals; another, the Special Department locals; and the remainder are undesignated. Inthe five departments were established: The local unions are the vehicles that have enabled these goals to be reached.

Since the birth of our organization, stage hands and projectionists have been joined by a great variety of other craftspersons in the numerous branches of the entertainment industry, including motion picture and television production, product demonstration and industrial shows, conventions, facility maintenance, casinos, audio visual, and computer graphics.

Each craft falls under onternational of four departments: The principle of complete coverage and unanimity of purpose has been applied by the I.

Intrnational assured that there would be enough people to staff each theatre, and helped ensure these were union crews.