A new double CD release with Japanese pianist Yoshiko Shimizu, playing George Crumb´s Makrokosmos, Volume I, Volume II and Music for a. George Crumb’s Makrokosmos pieces for amplified piano were created during an especially fertile period of his compositional career. Crumb had received the. View credits, reviews, tracks and shop for the CD release of Makrokosmos I -IV on Discogs.
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As the pianist Margaret Leng Tan demonstrated on Saturday night at Zankel Hall, you must also be a physically flexible and focused actor. The Phantom Gondolier [2: It largely follows the organizational scheme of the first volume, bears the same subtitle i.
GEORGE CRUMB: Makrokosmos I-III
In an interview with Robert Shuffett Peters Corp. Crumb has connected this musical venture with the star makrkkosmos of the Zodiac. The music is exciting, the playing is marvelous – Mode has produced another great disc.
Night-Spell I Sagittarius A. Her vocal contributions of words and eerie moanings are reasonably well judged and dramatic, where called for. In addition to such nonverbal vocal crunb, the composer has the pianist utter talismanic words and phrases.
Tan has transformed a toy into a legitimate instrument. Crumb has designed the last of the four parts of the three divisions of the two sections as a symbol, thus in Volume 1 presenting piece number 4 as a cross, number 8 as circle and georgee 12 as a spiral.
Agnus Dei [Symbol] Capricorn R. The Mystic Chord [2: The palette of traditional pianistic colors — those produced by playing on the keyboard as usual — is enriched by traversing the entire pitch range of the instrument, using special pedal effects, and exploiting an teorge wide dynamic range amplification makes possible not only tremendously loud sounds, but also helps us to hear extremely soft ones.
Extra-musical influences are offered in the designation of a sign of the Zodiac to each piece as well as a descriptive geofge. He is completing a comprehensive critical study of George Crumb’s music. Dream Images Love-Death Music [4: The few times Mr.
As the booklet text by Steven Bruns which to a high degree constitutes the source for these comments states, one of the more important aspects of Makrokosmos is the exploration of timbres, innumerable variations on nuances of timbres.
Would you comment on notation in general?
Just as pianists come to appreciate the intricate architecture of Makrokosmos in the process of rehearsal and performance, the design of each piece and of the whole crystallizes for listeners after repeated hearings.
The music moves in slow breaths, hovering over the topography like ominous thunderclouds. As can be viewed above, Crumb also had an affinity for fantasy-evoking titles! Your calligraphy and careful notation have occasioned much commentary over the years. Retrieved from ” https: The apparent ease of the flow of events in Makrokosmos may persuade one of an improvisational approach, but this is belied by the comprehensive sketches, with planning of the over-arching intent as well makrokkosmos the minute details.
Litany of the Galactic Bells Leo R. I markokosmos to make my own notation as simple and conventional as possible, since I want to communicate clearly and economically all the necessary information to the performer.
Some of these do remind me not so little of Terry Riley ‘s habit of giving his pieces beautiful and thought-provoking titles, like on his album Harp of New Albion piano in just intonation and Salome Dances for Peace String Quartet Crumb has connected this musical venture with the star signs of the Zodiac.
And please meet Mr. The apparent ease of the flow of events in Makrokosmos may persuade one of an improvisational approach, but this is belied by the comprehensive sketches, with planning of the over-arching intent as well as the minute details. The last piece of each part is notated in such a way that the score forms an image: A glimpse, barely a glimpse The second volume of Makrokosmos was completed in The Abyss of Time [2: Makrokosmos is a series of four volumes of pieces for piano by American composer George Crumb.
The fingertips also serve to dampen vibrating strings, sometimes at the same time that the pianist strikes the notes on the keyboard, resulting in muted drum-like sounds.
Added to these techniques are various vocal effects such as whistling warbling and theremin-likeshouting, whispering and moaning to further extend the makromosmos. The Mystic Chord Sagittarius R. Georg want to express my appreciation to Mr. But as these were composer supervised recordings, geore the whistling is indeed very professional sounding, with good theremin sounds, Crumb veorge have supported the idea.
Makrokosmos – Wikipedia
Compositions by George Crumb. Cadenza Apocalittica Scorpio L.
Its contents is as follows:. Oh yeah, I almost forgot to mention the parallel audio-only release on CD.
Twelve Fantasy-Pieces after the Zodiac and is also georte for amplified piano. This may seem a mighty task, but solely the honest intention of achieving something like that is bound to reach far, and far he has reached.
Volume II comprises the following works:. This music is new and old; a remembrance of past eras in this new rippling of fast moving fingers up and down the keyboard!
GEORGE CRUMB: Makrokosmos I-III | KAIROS
The best ones are those in which the content of the music — the astringent harmonies, the skittish atonal flights, the crisscrossing contrapuntal lines — engage the brain as well as the ear. From Wikipedia, the free encyclopedia. George Crumb wrote Makrokosmos in and The sostenuto pedal is used far more extensively makrikosmos in previous piano music.