Pablo de Sarasate. Fantasy on Bizet’s “Carmen,” for violin & orchestra (or piano), Op. Composition Information ↓; Description ↓; Parts/Movements. Carmen Fantasy, Op. Pablo de Sarasate. Born March 10, in Pamplona, Spain. Died September 20, in Biaritz, France. Pablo Martín Melitón de. The concept of fantasie in two versions of the Carmen fantasie: Sarasate and Fantasie for violin and orchestra, which stem from the original Carmen opera by.
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Sarasate ‘s appreciation of Bizet is total, and one cannot accuse him of defacing Bizet ‘s remarkable music, Somehow, even in its most elaborately ornamented and virtuosically oriented passages, the Carmen Fantasy upholds the opera’s dignity — something that can be said of few operatic fantasies indeed. Sarasate ‘s Fantasy is in four movements, with a prelude that in essence amounts to another movement. The prelude is an adaptation of the Entr’acte to Act Four of the opera the “Aragonaise”and the first movement adapts the famous Habanera sung by Carmen in Act One “L’amour est un oiseau rebelle” — here, the little grace notes that Sarasate adds to the chromatic tune are perfect.
Sarasate makes a direct link between the third movement and the frenetic Bohemian Dance from Act Two that is the fourth. Here, raw virtuosity takes over, providing the violinist an athletic workout not at all unlike the one that Bizet ‘s original version provides for the dancers and orchestra.
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