Manfred Fritz Bukofzer (March 27, – December 7, ) was a German- American Manfred Bukofzer, Music in the Baroque Era. New York, W.W. Norton & Co., ISBN Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only once a year. Music in the Baroque Era has 26 ratings and 2 reviews. Jarrod said: A very comprehensive and didactic analysis on the music of the Baroque period. I woul.. .

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Music in the baroque era : from Monteverdi to Bach (Book, ) []

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Add a review and share your thoughts with other readers. Similar Items Related Subjects: Music — 18th century — History and criticism. XVII — Storia e critica. User lists with this item 10 Counterpoint 98 items by regbain updated Linked Data More info about Linked Data.

The culmination of late Baroque music in Italy ; The rise of tonality ; Concerto grosso and solo concerto ; Ensemble sonata and solo sonata ; Opera seria and opera buffa: Fusion of national styles: The state of instrumental music in Germany before Bach ; The state of protestant church music before Bach ; Bach: Weimar ; Bach the mentor: Lepzig ; Bach, the past master — Chapter 9: Coordination of national styles: The state of secular vocal music in Germany before Handel ; Handel: German apprentice period ; Italian journeyman period ; English master period: Form in Baroque music.

Formal principles and formal schemes ; Style and form ; Audible and inaudible order — Chapter Musical thought of the Baroque era. Sociology of Baroque music.


Music in the Baroque Era by Manfred F. Bukofzer

Courtly musical institutions of state and church: Renaissance versus Baroque music. Disintegration of stylistic unity ; Stylistic comparison between Renaissance and Baroque music ; The phases of Baroque music — Chapter 2: Early Baroque in Italy.

The beginnings of the concerto style: Gabrieli ; The monody: Peri and Caccini ; Transformation of the madrigal: Monteverdi ; The influence of the dance on vocal music ; Emancipation of instrumental music: Frescobaldi ; The rise of the opera: Monteverdi ; Tradition and progress in sacred music — Chapter 3: Early and middle Baroque in the northern countries. The Netherlands school and its English background ; English antecedents: Sweelinck ; Germany and Austria in the 17th century ; Chorale and devotional song ; Chorale motet and choral concertato: Schein ; The dramatic concertato: Scheidt, Froberger, and Biber — Chapter 4: Italian music of the middle Baroque.

The bel-canto style ; The chamber cantata: Luigi Rossi and Carissimi ; The oratorio: Carissimi and Stradella ; The Venetian opera school ; Instrumental music: French music under absolutism. Lully ; Cantata, oratorio, and church music ; Lute miniatures and keyboard music: English music during the commonwealth and restoration. The masque and the English opera: Lawes and Blow ; Consort music: Jenkins and Simpson ; Anglican church music: Home About Help Search.

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Music in the Baroque Era

English View all editions and formats. Music — 17th century — History and criticism. User lists Similar Items.