Blumenberg, Hans. [Schiffbruch mit Zuschauer. English] Shipwreck with spectator ; paradigm of a metaphor for existence I Hans Blumenberg; translated by. Shipwreck with Spectator: Paradigm of a Metaphor for Existence. Hans Blumenberg. MIT Press () Blumen Berg: Topoi in Blumenberg’s Philosophy. As Blumenberg’s dizzying mastery of ancient texts in this text shows, 5 Hans Blumenberg, Shipwreck with Spectator: paradigm for a metaphor for existence.

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Through Blumenberg’s seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot.

Kelly Slater and the Extreme Spectator. Although Alcaeus’ narrator’s experiences the storm aboard the boat, his involvement is in a way both more passive, because it is the perspective of confused immediacy, and more detached, since it is the view of an even that has passed. Hadrian poses the question whether her poem was not actually composed after her brush with shipwreck, to which Margaret counterposes the question whether his poem was not actually composed well before his death.

Objects in Space As Metaphor for the Internet. In that year, when he sailed from Riga to visit the Enlightenment thinkers in France, he uses sea exploration as a metaphor for philosophical discovery.

Ana-Maria Deliu rated it it was amazing Oct 23, T his life is in fact kept going only by means of things that can also be fatal for it H ans Blumenberg’s essay: Only when the spectators have been shown to their secure places can the drama of human imperilment be played out before them.


Through this figure is expressed a justification of the passionesthe passions, against which philosophy discriminates: In this sense, the view from the Alcaeus’ surviving passenger is more that of a spectator, than is the view of Cicero’s actual spectator.

Axel Fliethmann – – Thesis Eleven 1: Blumenberg notes that Ewald’s poem was written inthe year of the Lisbon earthquake which shattered Leibnizean metaphysical optimism. Paradigm of a Metaphor for Existence Studies in contemporary German social thought. Read about some of my experiences growing older aging. Hans Blumenberg was a German philosopher and intellectual historian. And the key to everything lies in the securityin the unsuffering condition of the curious being.

Through this story, Voltaire hopes to illustrate triviality of human history. As if God had interrupted his eternity only for that purpose, all creatures became for him, as Luther put it, “masks and mummers” in a ” game of God’swho has allowed them to exalt themselves a little bit. Just a moment while we sign you in to your Goodreads account.

Hans Blumenberg, Shipwreck with Spectator: Paradigm of a Metaphor for Existence – PhilPapers

The Metaphor of Mental Illness. Also, as with Galiani, Blumenberg notes that the shipwreck is presented as the superficial level of a more profound metaphor of theatrics. Metaphors That Shape Embryos. Sign in Create an account.

It’s a fascinating and very interesting treatise. This analogy is metaphorical and literal at the same time — seaborne commerce really is driven by a refusal to accept all limits to desires as natural limits. For Voltaire, moreover, even the role of spectator with shipwreck is seen as the result of a passion — curiosity — rather than, as Lucretius would have it, as an opportunity to dispassionately comprehend one’s own security.


Skirkmanr rated it it was ok Aug 22, Autonomy, Perfectionism and the Justification of Education.

Shipwreck With Spectator: Paradigm of a Metaphor for Existence

The sea is one of humanity’s oldest metaphors for life, and a sea journey, Blumenberg observes, has often stood for our journey through life. Blumenberg finds irony both in the ultimately unacknowledged fact that the poetic bkumenberg was separated from actualization in both cases, and in the exaggerated metaphysical distance of the interlocutors from the human predicament in that they shipwrck dead blumenberb thus beyond any threat of disaster.

In the first, he is “prey to all the storms of actual life, and to the influence of the present, and must struggle, suffer, and die like the brute. His organization is loosely thematic, in that he takes up some variant or aspect of the seafaring metaphor and examines it for some stretch before moving on to another topic. Rather, it is the actual experience of the arbitrariness of shipwreck which extinguishes his passion for believing that things could be better.

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