Buy Andante et Scherzo (Trumpet Solo with Piano& at Trumpet Sheet Music. A flashy J.E. Barat – Alphonse Leduc. Andante et Scherzo Cover. Has anyone played Andante et Scherzo by Barat? Should I single or double tongue the 16th notes in the scherzo section? Tempo is dotted. Andante Et Scherzo Andante Et Scherzo By J. Edouard Barat. For C or B-flat Trumpet and Piano. [J. Edouard Barat] on *FREE* shipping on.
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After all, isn’t pushing ourselves beyond our normal limits what helps us to improve? That means most players can single better than they can multi. Alright, I’m going to save you a lot of anguish later in your trumpet playing career.
Jul 16, 1. In my memory, I did a pretty good job of it too. Jul 17, 9. If the answer is yes, then do it.
Andante et Scherzo by Barat
Aside from that, I’ve never played it – sounds like a neat tune though. Do you already have an account? I know that some always talk about doing scehrzo right for the music, but sometimes and this is just an opinion when a player is in their formative years, I think it’s ok to maybe take the risk and put the music second for the sake of the student who is striving to become better.
Search Media New Media. Personally, I think I’d double tongue xndante.
Andante & Scherzo for trumpet & piano
Sometimes it’s taking a chance and taking on a piece of music that helps to push our technique to a new place. Don’t take a chance schrzo a performance using an underdeveloped technique when you can do it more comfortablly. Jul 16, 8. Jul 16, 3. Bill Dishman Gainesville, Florida. Jul 16, 6. Should I single or double tongue the 16th notes in the scherzo section? Share This Page Tweet.
No, create an account now. I don’t ever recall his articulation being overly criticised.
If single tonguing is fast enough then use it. I have played and performed that piece and you should, indeed, double tongue the 16th notes in the scherzo. You must log in or sign up to reply here. I was thinking that dodecatuple tonguing the hemidemisemihemidemisemiquaver would be best. That’s what helped me to develop my foundation for my multiple tonguing.
I think that there should be limits to this though. As trumpet players, we tend to try to push our limits and falter because of it. Yes, my password is: If you need to double tongue at a certain tempo, learn to do it well and no one can tell. Jul 16, 5. Jul 16, 7. I’ve seen more than a few times a high school kid who bit off way more than they could realistically accomplish, and I don’t agree with that – that’s setting a person up for failure, and that’s the kind of experience that can cause an aspiring young musician to stop playing.
Your name or email address: If not, do a multi-tongue. Do what feels good and sounds good. But my heart breaks every time I hear the entrance in Mahler 5 with a weak triple tongue.
Andante et Scherzo by Barat | Trumpet Forum & Trumpets For Sale
Listing to a recording of it right now on YouTube – sounds to me like the player is double tonguing. Has anyone played Andante et Scherzo by Barat? If listeners can tell you are double tonguing then you need to work more on it.
I played the Goedicke Concert Etude as contest solo as a Junior in high school, and although my double tonguing technique wasn’t fantastic when I started it, by pushing myself through that piece of music, it improved it a lot. I might have to look into doing it somewhere sometime. Jul 16, 4. Jul 16, 2. Can you play in style, at tempo, correctly and it sound good with single tonguing?
This question comes up WAY badat often. That being said, keep working on your multi tongue for when you have to use it. Here’s the deal, you learn to single tongue from the harat beginning but you’re pretty far into your trumpet playing career once you can multi tongue, and it may not even be good for a few years after that.